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Electronic Music

Podcast Electronic Music
Sound On Sound
Welcome to the Sound On Sound Electronic Music podcast. On this channel we feature some of the pioneers of the industry, interview musicians and talk about retr...

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  • Martin Kohlstedt - Piano And Electronica
    Composer, pianist and producer Martin Kohlstedt talks to Caro C about his approach to combining piano and electronic instruments, improvisation in the studio and on stage, plus the work he is doing to reduce the carbon footprint of touring.Chapters00:00 - Introduction01:42 - Combining Piano And Electronics05:10 - Organic, Improvised Performances09:29 - Incorporating The Voice Into Recordings10:23 - Favoured Hardware Choices12:56 - Touring Equipment 15:54 - Selecting A Live Team17:10 - The Recording Process 20:14 - Launching The Edition Kohlstedt Label 23:39 - Film, TV and Other Commissions25:11 - The Process Of Collaboration27:14 - The Influenced Of Nature 30:15 - Supporting Ecological Projects 32:07 - Planning The Touring Schedule 35:52 - Kinship With Other ArtistsMartin Kohlstedt BiogMartin Kohlstedt is a composer, pianist and producer known for his work in instrumental music and electronica. His albums, including Tag and Nacht, Strom, Ströme, Flur and Feld, along with their respective reworks, have earned international recognition and led to global concert tours.Kohlstedt’s music blends electronica with acoustic and analogue elements, incorporating classical piano, ambient sounds, field recordings, and score design. His work is characterised by the seamless integration of diverse influences and soundscapes. Whether performing at festivals, in intimate piano concerts, or creating movie scores, his music is dynamic and immersive, evolving in real-time during live performances.He describes his approach as modular composition, where his pieces are never fixed. Improvisation plays a key role in his process and he values audience interaction, the freedom to experiment and to collaborate with people, spaces and contexts. Throughout his career, Kohlstedt has worked with notable partners such as the Leipzig Gewandhaus Choir, artists like Douglas Dare and Sudan Archives and labels including Warner Classics. In addition to his own compositions, he creates music and scores for films, plays, podcasts and audiobooks. Kohlstedt also runs his own label, Edition Kohlstedt that supports a reforestation project near his hometown.https://martinkohlstedt.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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  • Robert Aiki Aubrey Lowe
    Composer and Sound Designer Robert Aiki Aubrey Lowe tells Caro C about his preferred sound modules and working methodologies, plus shares details some of the film and TV projects that he has recently been collaborating on.Chapters00:00 - Introduction01:35 - Finding A Musical Voice04:38 - Choosing Modular Synthesis10:18 - Avant Garde Artistry17:14 - Current Modular Setup23:19 - Other Favourite Modules 28:11 - Composing For TV And Film34:03 - Combining Hardware And Software#morphagene #spectraphon #dxg #optomix #proworkout #arbharRobert Aiki Aubrey Lowe BiogRobert Aiki Aubrey Lowe is an artist, curator and composer based in Brooklyn, New York. Robert is known for his work with modular synthesis combined with voice. Along with analogue video synthesis works, he has had exhibitions of his work at John Michael Kohler Art Center, Museum of Art and Design, Kunsthal Charlottenborg and the Broad.Over the last several years Robert has collaborated on projects or provided sound in a featured artist capacity for such films as “End of Summer”, “Sicario”, “Arrival”, “Last and First Men” with Johann Johannsson and “It Comes at Night” with Brian McOmber. In recent years Robert has scored “Candyman” for Nia DaCosta, “The Color of Care” and “Power” for Yance Ford, “Master” for Mariama Diallo, “Grasshopper Republic” for Daniel McCabe, docuseries “Telemarketers”, “UNION” for Brett Story and Stephen Maing, “The Man In My Basement” for Nadia Latif, “Life After" for Reid Davenport and “Seeds” for Brittany Shyne. Through collaboration Robert has worked with Tarek Atoui, Ben Russell, Ben Rivers, Rose Lazar, Nicolas Becker, Rashaad Newsome, Jóhann Jóhannsson, Hildur Guđnadóttir, Sabrina Ratté, Philippe Parreno, Evan Calder Williams, Ariel Kalma, Susie Ibarra and YoshimiO, as well as many others.https://robertaikiaubreylowe.bandcamp.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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  • Tony Rolando - My Life in Modules
    In this occasional series exploring modular synthesis and live performance, William Stokes talks to Tony Rolando, electronic musician and founder of modular company Make Noise. Tony talks about his beginnings in the industry and how Make Noise has relaunched in 2025 with a new team and a brand new module release, which he then showcases in an exclusive performance alongside four additional modules.Chapters00:00 - Introduction05:22 - Creating Social Media Posts12:10 - Recent Innovations In Modular14:02 - Revisioning Jettisoned Music Technology21:08 - Module 1: Maths 30:17 - Module 2: Morphagene47:42 - Module 3: Qpas 57:57 - Module 4: Bruxa01:12:52 - Module 5: New Universal Synthesizer System01:27:40 - The PerformanceTony Rolando BiogTony Rolando is a self-taught musician and electronic musical instrument designer who started his career building electronics for artists, such as the light controlled mixer for Simon Lee’s “Bus Obscura,” working for Moog Music and playing in bands. He has recently released music with Important Records and the Asheville, NC based Ceremony of Seasons.Tony is the founder, lead designer and co-owner of Make Noise, a modular synth company launched in 2008, known for modules such as the Morphagene and 0-Coast, popular with artists like Thom Yorke and Robert Lowe, aka Lichens. They operate out of Asheville, NC and have global distribution through a number of music tech dealers.https://tonyrolando.bandcamp.com/www.makenoisemusic.comWilliam Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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  • Emulator II 40th Anniversary
    In celebration of the 40th anniversary of the groundbreaking E-mu Systems Emulator II sampler, Dave Rossum, Kevin Monahan and Paul Wiffen share inside stories of the development and manufacture of the instrument, their struggles to get around the technological limitations of the time and how the instrument was widely adopted by bands, artists and pop culture.Chapters00:00 - Introduction01:50 - The Origins Of The Emulator03:59 - The E-mu Name 04:57 - Kevin's Background08:09 - Paul's Background11:19 - The Motivation For Creating Emulator II 16:26 - Specific Challenges25:19 - The Challenges Of Adding Hard Drives30:35 - How Did The Iconic Industrial Design Come About?35:11 - Having Two Disc Drives 38:22 - How Artists Responded To The Emulator II46:46 - Using Sampling To Create Novelty Sounds 56:08 - Kevin's Contribution To Ferris Bueller's Day Off 57:37 - The Legacy Of The Emulator II And Sampling #EmulatorII #Drumulator #SP12"This is all part of musical creativity, which is what I love about my job so much, is that I get to be at the forefront of inventing these tools that then the musicians can go figure out what to do with and blow my socks off" - Dave RossumDave Rossum BiogDave Rossum is a pioneering figure in the field of electronic music and audio technology, celebrated as the co-founder of E-mu Systems. Rossum’s early interest in engineering and music led him to study at the University of California, Santa Cruz, where he developed a deep understanding of both electronic circuits and music theory.In 1971, Rossum co-founded E-mu Systems with Scott Wedge. Initially focusing on modular synthesizers, the company became a cornerstone of the burgeoning electronic music scene. Rossum’s technical brilliance was pivotal in designing groundbreaking instruments, including the E-mu Emulator, one of the first affordable digital samplers, and the E-mu SP-1200 drum machine, which played a critical role in the development of hip-hop and electronic music.Rossum’s work extended beyond instruments to innovations in sound synthesis and sampling technologies, many of which remain influential. After E-mu was acquired in the 1990s, Rossum continued to innovate. In 2016, he launched Rossum Electro-Music, a company dedicated to creating advanced modular synthesizer tools, such as the Morpheus filter and Assimil8or sampler, which appeal to contemporary electronic musicians.Renowned for his combination of scientific rigour and musical sensitivity, Dave Rossum is regarded as a visionary who helped shape the sound of modern music and remains an influential force in the industry.https://www.rossum-electro.com/ Kevin Monahan BiogKevin Monahan was a key figure at E-mu Systems, contributing to the company’s legacy of groundbreaking innovations in electronic music technology. Monahan played a pivotal role in the development and marketing of E-mu’s iconic products during the company’s peak in the 1980s and 1990s, helping bridge the gap between technical engineering and the creative needs of musicians.As a product specialist and public face for E-mu Systems, Monahan was instrumental in introducing instruments like the E-mu Emulator series, the SP-1200 sampler, and the Proteus sound module to musicians around the world. His deep understanding of the technology, combined with his ability to communicate its potential to artists and producers, made him a vital part of E-mu’s success in both the professional and consumer music markets.Beyond his technical expertise, Monahan’s passion for music and sound design made him a respected voice in the industry, helping to shape the culture and tools of electronic music during a transformative era. His contributions to E-mu’s success are remembered as an important chapter in the evolution of music technology.Paul Wiffen BiogPaul Wiffen is a renowned keyboard player, sound designer, and music technologist. With a career spanning decades, Wiffen has worked as both a musician and a consultant for leading synthesizer manufacturers, blending his technical expertise with a keen musical sensibility. At the height of the Emulator II's success, he was London's most prominent programmer of the instrument.As a keyboardist, Wiffen has collaborated with prominent artists like Paul McCartney and Peter Gabriel, as well as recording the bass line on the Band Aid single. As a sound designer he's been involved in several film scores, from Blade Runner with Vangelis to Jungle Fever with Stevie Wonder. His sound design work for manufacturers is equally notable —he played a significant role in programming and demonstrating groundbreaking synthesizers such as the Elka Synthex, OSCar and the Korg Z1, helping to shape the sound palettes of the 1980s and 1990s.Known for his engaging live demonstrations at trade shows and clinics, Wiffen has also been an advocate for electronic music technology, helping musicians unlock the potential of new instruments and old.Rob Puricelli BiogRob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI’s so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology.www.failedmuso.comTwitter: @failedmusoInstagram: @failedmusoFacebook: https://www.facebook.com/failedmuso/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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  • Suzanne Ciani: Space, Time and Buchla
    Electronic music pioneer and composer Suzanne Ciani discusses her career highlights in conversation with William Stokes, including early performance struggles due to her determination to present shows in quadraphonic, a career resurgence thanks to Moogfest and why she loves working with the Buchla interface.Chapters00:00 - Introduction01:06 - The First Female To Score A Movie04:01 - Having More Than 20 Albums04:36 - Golden Apples Of The Sun07:55 - Live Performance Struggles11:57 - A Love Of Programming14:09 - Interacting With A Buchla17:14 - A New Way Of Performing Music22:32 - The Buchla 250 MARF25:36 - Making A Comeback At Moogfest29:36 - Creating Spatial Content38:40 - A Meeting Of Art And Science 41:36 - Future Plans"I didn't build the machines, I certainly didn't design them, but I could interact with them and use them, you know, and that's what I liked".#buchla #moogSuzanne Ciani BiogSuzanne is a five-time Grammy award-nominated composer, electronic music pioneer, and neo-classical recording artist who has released over 20 solo albums including "Seven Waves," and "The Velocity of Love," along with a landmark quad LP “LIVE Quadraphonic,” which restarted her Buchla modular performances. Her work has been featured in films, games, and countless commercials as well. She was inducted into the first class of Keyboard Magazine's Hall of Fame alongside other synth luminaries, including Bob Moog, Don Buchla and Dave Smith and received the Moog Innovation Award. Most recently, she is the recipient of the Independent Icon Award from A2IM, The Golden Ear Award and the SEAMUS Award.Suzanne has provided the voice and sounds for Bally's groundbreaking "Xenon" pinball machine, created Coca-Cola’s pop-and-pour sound, designed logos for Fortune 500 companies and carved out a niche as one of the most creatively successful female composers in the world. A Life in Waves, a documentary about Ciani’s life and work, debuted at SXSW in 2017 and is available to watch on all digital platforms. Ciani is a graduate of Wellesley College and holds a Masters in Music Composition from the University of California, Berkeley.http://sevwave.com/https://transversales.bandcamp.com/album/golden-apples-of-the-sun-3William Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
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Welcome to the Sound On Sound Electronic Music podcast. On this channel we feature some of the pioneers of the industry, interview musicians and talk about retro and current gear. More information and content can be found at https://www.soundonsound.com/podcasts | Facebook, Twitter and Instagram - @soundonsoundmag | YouTube - https://www.youtube.com/user/soundonsoundvideo
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