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Imaginary Worlds sounds like what would happen if NPR went to ComicCon and decided that’s all they ever wanted to cover. Host Eric Molinsky spent over a decade ...
The writer Jon Ronson and the creators of the immersive theatrical experience Sleep No More have teamed up to make a vast new immersive show that unfolds beneath a Wall St. skyscraper. Life And Trust tells the story of J.G. Conwell, a bank president on the eve of the 1929 crash who makes a Faustian bargain to return to his youth. We accompany him back to New York’s seedy and turbulent past of The Gilded Age. The experience of spending hours in the world of Life And Trust is almost indescribable since most of the story unfolds through dream-like sets and choreography. It’s also an open world theatrical experience, so audiences never see the same exact show, even on the same night. I talk with Chief Storyteller for Emursive Productions Ilana Gilovch, Executive Producer of Life and Trust Carolyn Boyd, and Jon Ronson about how Life And Trust came together, and why this is the perfect moment to explore the devil’s bargain of a bank.
This week's episode is sponsored by Hims. Start your free online visit today at Hims.com/IMAGINARY
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38:30
Rewriting the Script on Audio Fiction
Lauren Shippen is one of my favorite creators of audio dramas. In 2015, she burst on the scene with The Bright Sessions, which was about young people with supernatural abilities who are in therapy. The show was so successful, she used it to create an audio drama network called Atypical Artists, which produces her work and other indie creators. As a writer, Lauren combines a steady stream of revelations and plot twists with an ability to write deeply human characters that keeps me bingeing. And she’s given herself great roles to play as an actress. I talk with Lauren about her creative process, and her newest shows, the post-apocalyptic road trip Breaker Whiskey, and New Year’s Day, which is about two rival magicians who are immortal.
This week’s episode is sponsored by Remi and Hims.
Get up to 50% off your custom-fit mouth guard at https://www.shopremi.com/IMAGINARY
Start your free online visit today at Hims.com/IMAGINARY
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41:28
The Muppets Before The Muppets
In honor of Muppet*Vision 3D closing at Disney World, we look at the history of The Muppets before Kermit joined Miss Piggy and Fozzie Bear. Two decades earlier, Kermit was hanging out with Sam and Friends -- a local TV show in Washington, D.C., that launched Jim Henson's career. This episode comes from the podcast Sidedoor, produced by The Smithsonian with support from PRX. Their host Lizzie Peabody journeys back to 1955 to figure out how this eccentric cast of puppets built the foundation for everything Jim Henson would do afterwards, from Sesame Street to The Muppet Show and even Labyrinth. And the Sidedoor team ventures into the conservation labs to learn what it took to revive these crumbling hunks of foam and fabric when they landed at the Smithsonian.
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38:11
Bond, Bond, and James Bond: An Audio Drama
There’s a fan theory that James Bond is a codename, and all of the Bond movies are in a single chronological order. In this original audio drama, James Bond is not a film series but rather an MI6 program (or programme) where agents embody the persona of “James Bond” until they retire from the field one way or another. I talk with three characters who served as 007 until their number was up. Their stints as James Bond happened to coincide with the off years for the franchise in the real world. Featuring Pavel Douglas, James Brown and Will de Rezny-Martin as Bonds of different generations.
This week’s episode is sponsored by Henson Shaving and Ship Station.
Visit hensonshaving.com/worlds to pick the razor for you and use the code WORLDS to get two years' worth of blades free with your razor – just make sure to add them to your cart.
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29:46
Making Up The Penguin
The Penguin series on HBO and Max has been one of the most critically acclaimed comic book-based TV shows in years. Much of the praise has gone towards actors like Colin Farrell, who plays the classic Batman villain. But the makeup and prosthetics designer Mike Marino has been singled out for his innovative and striking design of the main character. Mike sculpted an entire head and body for The Penguin, a.k.a. Oz Cobb, that obscured most of Colin Farrell while also liberating the actor to inhabit a role he might otherwise not have been cast. Mike and I go deep into his creative process working with Farrell and the director/producer Matt Reeves on The Batman film and the spin-off show The Penguin. We also talk about Mike’s mentors in the field like Dick Smith and Rick Baker, who created some of the most iconic makeup designs in cinema history.
This week’s episode is brought to you by Sol Reader and ShipStation
Go to solreader.com to and use the code IMAGINARY at checkout to receive 15% off your purchase of Sol Reader Limited Edition.
Go to shipstation.com and use the code IMAGINARY to sign up for your FREE 60-day trial.
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Imaginary Worlds sounds like what would happen if NPR went to ComicCon and decided that’s all they ever wanted to cover. Host Eric Molinsky spent over a decade working as a public radio reporter and producer, and he uses those skills to create thoughtful, sound-rich episodes about science fiction, fantasy, and other genres of speculative fiction. Every other week, he talks with comic book artists, game designers, novelists, screenwriters, filmmakers, and fans about how they craft their worlds, why we suspend our disbelief, and what happens if the spell is broken. Imaginary worlds may be set on distant planets or parallel dimensions, but they are crafted here on Earth, and they’re always about us and our lived experiences.