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Countermelody

DANIEL GUNDLACH
Countermelody
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  • Episode 354. Get to Know April Cantelo
    Only recently have I become fully aware of the exceptional voice and artistry of the late April Cantelo (02 April 1928 -16 July 2024). When she died last summer, I began more fully exploring her recorded output and to my surprise and delight, I found myself ranking her among the very finest 20th century British sopranos. It’s my great privilege to offer a full episode showing the wide range of musical genres that she effortlessly assayed. If her performances of Handel seemed near-definitive, it must also be remembered that she created the role of Helena in Britten’s Midsummer Night’s Dream in the summer of 1960 and championed the work of countless contemporary composers, including two heard here, Hugh Wood, and Malcolm Williamson, with whose works in particular she was closely associated. She is also featured in recordings of Grieg, Berlioz, Arne, and Wagner. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.
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  • Episode 353. Canteloube Originals
    The composer Joseph-Marie Canteloube is primarily known for his lush orchestral arrangements of folk songs from his native Auvergne region. However, he also composed other work, including arrangements of French folk songs (from regions other than the Auvergne!) as well as original works including the lush orchestral song cycle Triptyque and a fascinating and unique cycle for voice and piano entitled L’arada (The Tilled Earth), set to poems in the Languedoc dialect. This work has been studied, promoted, and recorded by soprano Karen Coker Merritt, who deserves our especial thanks for bringing this unique work to our attention. Examples of all of these works are featured on this episode, which also does not shy away from exploring Canteloube’s difficult political legacy as a proud right-wing nationalist and supporter of the collaborationist Vichy government during World War II. I believe that we can and should decry such positions while at the same time exploring these works independently of and stripped (as much as possible) of their political associations. Performers (several accompanied by the composer himself) include Georges Thill, Karen Coker Merritt (performing two songs from L’arada with the exceptional pianist Sean Kennard), Geneviève Rex, Lucie Daullène, Véronique Gens, Netania Davrath, Bruno Laplante, María Bayo, and, transcendently, Frederica von Stade. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.
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  • Episode 352. Faboo Young Singers, Part II
    This is the second part of an episode begun last week featuring the cream of the crop of today’s young artists. As with the performers heard last week, they represent the finest opera and classical singers working today; it is my distinct pleasure (and honor) to present them to you. They include sopranos Francesca Pia Vitale and Ewa Płonka; mezzo-soprano Beth Taylor; countertenors John Holiday, Key’mon Murrah, and Reginald Mobley (pictured); tenors Laurence Kilsby and Zachary Wilder; baritones Artur Ruciński and Theo Hoffman; and bass-baritones Philippe Sly, Joseph Parrish, and Georg Zeppenfeld in repertoire ranging from Monteverdi and Vivaldi to Rebecca Clarke, Hall Johnson, and Paul McCartney. It has been my pleasure to hear many of these singers live and I look forward to hearing them all again in person (and as soon as possible!) Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.
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  • Episode 351. Schubert in Not-German
    I have been fascinated for years by operas performed in the vernacular, a phenomenon which was common in Germany until quite recently. Even more interesting in many ways is the performance of art song in the language of the audience. Some time ago I produced an episode featuring the Lieder of Franz Schubert performed in both French and Russian translation. As a supplement to that episode, I present here two of the featured artists from that episode, the French baryton martin Camille Maurane (1911 – 2010) and the Russian lyric tenor Ivan Kozlovsky (1900 – 1993), quintessential representatives of their respective vocal categories, both of whom happened to live well into their nineties. They are featured singing the songs of Schubert in their native languages in recordings made between 1946 and 1962. Certain songs are sung by both artists, allowing one to make direct comparisons between their very different vocal styles. In addition I feature excerpts from Schubert’s two supreme masterpieces, Die schöne Müllerin and Winterreise, the latter excerpts sung in Finnish, Swedish, and English, with an additional shocking surprise before the end. The episode begins with brief memorial tributes to three significant musicians who have died recently: composer William Finn, basso buffo Peter Strummer, and Heldentenor Peter Seiffert. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.
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  • Episode 350. Young Singers I Admire
    Today we celebrate 350 episodes of Countermelody since the inception of the podcast in the fall of 2019. Given that this is a momentous occasion (probably mostly to me, just for sticking with this thing!), I wanted to do something special today. For some time I have been promising an episode on Young Singers I Admire. This is different than the usual Countermelody fare because I almost always focus on great singers of the past. The world of the “opera singer” is very different today than when I was trying to carve out a professional career as a countertenor more than 30 years ago. I would say the huge difference is the way that social media has become such a prominent tool in shaping and maintaining a career. Even today, however, it is possible to do both of these things, to be a singer primarily focused on her technique and expressing the integrity of the music, as well as focusing on their marketing and their identity, whether that be queerness, Blackness, glamour, physical fitness, or whatever. Every single singer I feature today displays a solid and viable vocal technique and a profound connection to the music that they are singing while also, in most cases, deftly managing their online presence. Listen to these young singers and see if you don’t agree: sopranos Lisette Oropesa, Sabine Devieilhe, Nicole Car, and Vera-Lotte Böcker; contralto Jasmin White; mezzo-soprano Rachael Wilson; baritone Huw Montague Rendall; and countertenor Maayan Licht. Midway through constructing this episode, I realized that I had enough material for two episodes, so a pendant to this episode will be published next Easter Monday. It thrills me to celebrate these young artists: all possessors of gorgeous voices, fine technique, superb communicative powers, and a much, much better sense of entrepreneurship than I ever had! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody’s Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.
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Countermelody devoted to the glories of the human voice raised in song.
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